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August 23, 2006

returning to blogosphere: Voces Inocentes

It's been a long dry spell of non-blogging but now I'm back into a routine of cyber access. Para mis amigos en América Latino les recuerdo inscribirse para participar en el congreso nacional de software libre en Chile.

This week I shared with friends the dvd that I purchased in Ecuador for US$ 1.00, "Voces Inocentes." Screened at Cannes, this feature film is gripping because it does not take sides in regard to the civil war in El Salvador. Instead, it tells the story of an 11-year-old boy and his family caught in the insanity of all war. Children used for armies. English subtitles.

What also makes it gripping is that it is based on the true story of screenwiter Oscar Torres's embattled childhood. Director, Luis Mandoki deals with the violence effectively by showing faces, emotional reactions, rather than blood and gore ala Mel Gibson.
am

February 9, 2006

dual language

Max sent me this link to the commercial that aired during the superbowl because it reminded him of the documentary that I mentioned here a week ago, Rafael Salaberry's piece about bilingual, two-way education here in Houston.
The angry voices that punished me for speaking Spanish when I was in elementary and in high school are still around, but the "English only" movement in Texas is hopefully waning. Only 10 years ago, a judge here in Texas, Amarillo, accused Martha Laureano of child abuse for speaking Spanish to her five-year-old daughger. Judge Samuel C. Kiser ordered the mother to speak only English to the girl.

am

February 3, 2006

Video from Minneapolis

"We Are Sent: Eucharist And Our Living Amen" is a 17 minute video that features testimonials of a Catholic community in Minneapolis, tellling how important the Mass is for them. These Catholics are articulate. The simply produced video is just the right way to show total honesty and straightforward assessment of why the Mass is important.
I think other Catholic churches could use it to very good advantage. Unfortunately, the DVD is not listed on the Archiocesan website. The DVD cover says you can order a copy by calling (651)291-4521.
Maybe soon the producers will be able to share this resource widely. Why not stream parts of it on the Archiocesan website?

am

January 31, 2006

Grassroots Media on Bilingual Education and Liturgy

The bilingual education debate is the subject of "The Choosers" which will screen at Rice Cinema this Saturday, February 4, 2006 at 2 pm. It is made by Rafael Salaberry, a linguistics professor at Rice University.

Grassroots productions like this one are becoming more "normal" now that technology is accessible and all can be producers. Faith communities have yet to find their identity as producers, even though they live and breath in a media-saturated context. This essay by Eileen Crowley, is an excellent framework for local church productions.

am

January 14, 2006

Maid In America

Last night I saw a wonderful documentary, "Maid In America" after proscratinating about it for weeks. Generally, I don't like PBS films on Latina subjects because they are mostly depressing and circular in their vision. Although I know they are not all like that, nevertheless I have an instinctive aversion to them. Since I was small I have reacted against programs about us that display us as rueful. I don't like any depictions that do not foreground the agency of the poor.

Anayansi Prado has made an exciting, touching film that lets the story live through empathy and attention to detail about the lives of three women who left their country and find themselves as domestic workers in Los Angeles. This is a story of life lived on hope and faith. Of amazing suffering and endurance that shakes up all of us comfortable career folk.

Please do see this story of 3 women. Eva will unsettle you as she cleans bathrooms with dignity you won't believe. Judith is the incarnation of all that is fine and faithful and eternal about human daily living. Through enormous quiet anguish, she sustains life simply on the hope of a better future for her girls and boy. Telma effortlessly negotiates and crosses cultural and language boundaries, enriching those she touches.

Anayansi Prado demonstrates how good a director she is when she addresses the justice issues and victimization of domestic workers. Her instinct is absolutely perfect as she selects a dramatic device that leads us into the issues with interest and humor.

I think this is what I like most about this terrifically well crafted documentary. The protagonist, subject role of the women. As a filmmaker, Prado has to get very close to the women in order to reveal their personalities, their inner stirrings. She succeeds. She is an example of how Latinas are changing filmmaking and now I will be less reticent to view Latino subjects.

These are links about domestic workers, including ways to lend a helping hand to the agency of women domestic workers.

United Domestic Workers of America (UDWA)

Coalition for Humane Immigrant Rights of Los Angeles

Adán

May 27, 2005

Our Fathers

Showtime aired "Our Fathers" last night. A badly acted, hurried production, nonetheless I'm glad Showtime did it. The bright exceptions are superb acting jobs by Christopher Plummer and Brian Denehy. The rest of it was a sloppy production. It does, however, remind us of the secrecy and arrogance of the Catholic church. Thankfully, we also see the caring and holiness of the Church. The Washington Post review of the movie is apt.
Adán

May 10, 2005

Santitos

Last night I saw "Santitos," finally. It was so funny that I roared aloud in my chair. I've not laughed that hard in years, and I'm still happy over it. I've not seen the English subtitles so I don't know if the humor translates well.
This is a visually complex film about material culture, religion, women/men roles and Mexican psychology. Beautifully shot, wonderful music, and ....the writing is gorgeous. One interesting thing is that every review I have read sees a different storyline. Each critic says that the story is "about......." and the story plots are all different. That's a sign of a good film.

Also, and AT LAST, we have a Catholic priest figure on film that can make us Catholics proud. The priest is not a central character but serves a central role as the foil to the adventurous main character, Esperanza. The priest is involved in Esperanza's life, in the life of the town. He really cares, personally and emotionally, about Esperanza. He guides her the best way he can, trying to accompany her by giving good advice about the ways of God. At one point he exclaims to God, "she tells me where she's been but not where she's going." And at another moment he is there for her to embrace (hug)fully in her moment of desperation. When after her repeated confessions he doles out penances to Esperanza, "just in case, throw in five rosaries before tomorrow," he is hilarious.

This is a refreshing depiction of so many priests whom I know and whom I have know since my childhood. They are people who try to be holy and who search like the rest of us, but who have that one special gift: they are sure sources of grace and groundedness when we search for God's voice.

The screenplay was written by María Amparo Escandón, a bilingual writer who lives in Los Angeles. It is based on her novel, "Esperanza's Box of Saints."
am

October 22, 2004

Tarnation

Last monday I saw "Tarnation" at the MFAH here in Houston. Jonathan Caouette, the filmmaker introduced the film and took questions following the screening. The film is a personal documentary about Jonathan's violent and tormented life as he coped with growing up with trouble on all sides, his relationship with his abused schizophrenic mom. One of the ways he coped was by shooting video of himself and his surround. "Filmmaking for me became a means of disassociation and escape. By picking up a camera when I was a kid, I found a way to survive the life I was enduring." He compiled the film from all the video, telephone messages and pictures that he kept since his childhood.

I loved the film. It ends with non-sacharin hope and a somewhat theological statement about the world and our place in it. The theatre was filled with mainly young people, 20's, and they gave the film a standing ovation. Jonathan is from Houston, so he has many friends here.

Hope it comes to your city.
Adán

September 23, 2004

John Sayles Film

Am serving on the Signis Jury at the San Sebastian Film Festival and watching lots and lots of films. The week started off slowly with not much that interested me. Woody Allen did his world premiere of Melinda and Melinda. yawn.

Just now i saw John Sayles entry, "Silver City." I hope it gets wide distribution in the US. It is really sobering. An essay about the hopelessness, politically, that premeates the US because we keep heading dead-ends--and we keep hitting dead-ends because the coming together of money and prestige is so strong. The film is way too long, I think. But nevertheless, it is an important essay about our society. I hope it is released NOW, before the election.
Adán

August 31, 2004

21 Grams

Here's a beautiful film, visually lush, sparse and gritty in parts. It probes death and forgiveness, revenge and remorse. "21 Grams" would be great for inclusion in church retreats. Make sure you have very good sound equipment so you can enjoy the score that lends emotional power.

Also, it is superb film making. Alejandro González Iñárritu does what Tarantino and others attempt to do with non-linear storytelling, to manipulate time and sequence in order to reveal and make present the realities of life. Iñárritu is a musician and has been a radio announcer and dj, so it is not surprising that he blends images, scenes and sounds with scant regard to linear sequence but with a sumptuous cohesiveness. "21 Grams" follows on a long line of film expression that breaks from linear time, as James Joyce did with "Ulysess" and which began, in filmmaking, with the 1903 film, "The Great Train Robbery" in which simultaneous actions were presented. The work of David Lynch, particularly "Mulholland Drive," advances this structure. In "Pulp Fiction" Tarantino simply reproduces what was already done in 1903. But "21 Grams" really puts it all together in a remarkeable way. Iñárritu says that he wants the audience to become engaged with the film and construct it in their minds. "Not to just sit back eating popcorn (comiendo palomitas)."

Adán

November 7, 2003

desktop dvd and video

Technical notes: a relatively inexpensive way to capture digital video and format it for DVD is the Sonic Foundry Vegas and DVD Architect combination. Part of Sony Digital pictures, this software, Vegas, is making incursions into the Adobe Premiere market. Sonic Foundry is offering appealing discounts to Premiere users. I am using it with good success, thanks to Alberto who keeps me technically up to date.
Adán

September 16, 2003

Baraka

I saw Baraka, (1992, Ron Fricke), this weekend on my large screen/surround sound system. I recommend it for classroom use, after having been told by Alberto Pígola that he has been using it in his classes at the Catholic University in Montevideo. It can be shown in 20 minute segments during a series of classes. Use good speakers. With no words at all, it carries the storyline and a wordless philosophy. The site says: Baraka is an ancient Sufi word, which can be translated as "a blessing, or as the breath, or essence of life from which the evolutionary process unfolds."

Hope you enjoy the visual journey.
Adán

September 11, 2003

Resources used in MACC Seminar

Hola to the MACC mini pastoral participants with whom I shared reflections this morning about media, culture and ministry.

As promised, these are the handouts in case you want to either read them online or download them:
Mary Hess, Ph.D. writes about the religious imagination and religious education. It is an invitation to not juse "use the media" but to rethink our education project.

I refered only to his University as a link, but you may want to see this article by Fabio Pasqualetti, Ph.D. He maps out the aspects of digital culture that have implications for religious educators.

David Morgan, Ph.D. promotes the art of listening to and accompanying their congregations and parishioners. This checklist about how to listen, ethnography, relates to still images but can be modified for use with TV, movies and film.

The video, "The Child, the Slums and the Pot Lids" has a reference in an earlier log entry, June 23, 2003. Go to this link and scroll down about a page.

The meditation, "Yo Trabajo La Tierra" is available on the JM website.

It was an energizing morning to be with you. Gracias.
Adán


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July 12, 2003

Chicano Video

UC Berkeley has a resource list that is a useful reference for looking up Chicano films, videos and publications. This is an example not only of resourcing Chicana materials, but also of a library that is making headway into integrating digital material with books. The library states:"The Media Resources Center (MRC) is the UC Berkeley Library's primary collection of materials in electronic non-print (audio and visual) formats. These formats include: videocassettes, DVDs (Digital Versatile Discs), and laser discs; compact audio discs; audiocassettes; slides; and interactive multimedia materials."

One good DVD by Susan Racho is "The Bronze Screen." By using the scene selection feature, you can easily include a 5 or 10 minute section in a class. I like the section about names and labels. It's funny and revealing.

July 1, 2003

Latino Cinema and Ministry

If you are intersted in media issues and the life of the soul, I invite you to sign up for a weekend seminar that I am leading about latino film/video and contemporary ministry. We'll attend screenings at the San Antonio Cinefestival the first latino festival in the US, which I founded in 1976. We'll arrange discussions with the video and film directors and discuss linkages between the imaginations, symbols and narratives of Latino films and the world views, symbol systems and narratives of ministry like: worship, community activism, religious education.

Sign up at MACC. It is scheduled for February of next year, so make plans early.

Adán

June 24, 2003

Peruvian Documentary, "Choropampa"

Ernesto Cabellos and Stepanie Boyd completed this riveting documentary, "Choropampa" about a community in the Peruvian Andes who was contaminated when a truck carrying a mercury-filled tank capsized.

Do try to see this inside view of current life outside Lima. The video has a rough edge to it and puts you in the middle of this life-and-death struggle. It has just won at Festroia in Portugal. Running time is 60 minutes. Available in both English (sub-titles) and Spanish.
The press notes say: "On June 2nd, 2000 at the Yanacocha goldmine in the Peruvian Andes, 151 kilograms of liquid mercury spilled over a 25-mile long area, contaminating three mountain villages, including Choropampa. The environmental catastrophe turned this quiet village into a hotbed of civil resistance."

The distributor in the US is:
First Run / Icarus Films
32 Court Street, 21 Floor, Brooklyn, NY 11201 st
++ 718 488 8900 Phone
++ 718 488 8642 Fax
email : mailbox@frif.com
www.frif.com

Good viewing.
Adán

June 23, 2003

Brazilian Short for Liturgy

I've been trying to find a way to obtain copies of a wonderful 1995 Brazilian short film, 5 minutes, by Cao Hamburger,
"O Menino, A Favela E As Tampas de Panela"

Let me know if you have any info. about possible distributors. I hope we will soon find a way to access some of these independent productions that are not finding their way into Amazon or Yahoo Shopping.

Peace,
Adán

June 11, 2003

Sati

Today I received an invitation to a performance by a local Houston band, "NTX&THEELECTRICSUTTEE." The name, Suttee, gives me the opportunity to tell you about a "must see" film by Anand Patwardhan that members of the study commission saw in Bangkok in July 2001. The film is "Father, Son and Holy War".

FATHER, SON AND HOLY WAR explores in two parts the possibility that the psychology of violence against "the other" may lie in male insecurity, itself an inevitable product of the very construction of "manhood."

Anand Patwardhan's films continue to be blocked from viewing. This year this happened at the American Museum of Natural History in NYC

The video price at Icarus First Run Films is way too expensive for any individual to purchase, and this problem is widespread among most independent filmmakers. You might write directly to Anand Patwardhan and at least congratulate him.

Adán

May 31, 2003

The Black Woman: Creating Our Future

In Quito, Ecuador, during a February 3, 2003 meeting of the International Study Commission on Media, Religion and Culture, an important video was presented by the Afro-Ecuatorian Cultural Center. The title is "The Black Woman, Creating Our Own Future."

David Morgan, Chair of the Study Commission writes: "Members of the staff of the Afro-Ecuadorian Cultural Center (ACC) made a joint presentation on their work, called “Communication and Black Culture in Ecuador.” Ximena Chalá and Gabriela Viveros, video makers and community promotion staff persons at the Center discussed the mission of the organization, in particular their work with black women in Ecuador. They screened their video, “The Black Woman, Creating Our Own Future...” It uses a poem as narrative structure.

Chalá and Viveros described the interests of the ACC as collectively social, cultural, and political. A biblical and theological concerns form the other “axis of awareness” pursued by the ACC. The Center has published 45 books on black issues and produces a quarterly bulletin (called Palenque, or “Tethering Post”), sponsored training courses, produced over 100 videos, such as “The Black Woman, Creating Our Own Future ...”. Other videos are Coangue, Afro Pastoral, Breaking the Silence.

The purpose of “The Black Woman, Creating Our Own Future...” was to show Ecuadorians that black women are present in the society and to help blacks overcome their own denial of their blackness and their African heritage.

Father Martín José Balda, the director of the Center, also made a presentation on the historical and present situation of blacks in Ecuador. He pointed out that blacks were first brought as slaves to the country in 1553. The next wave of black immigrants consisted of laborers for the mines, ranchs and railroads. From almost the very beginning, blacks have practiced forms of resistance, sometimes together with indigenous or other ethnic groups.

There is not a strong presence of traditional African religion in Ecuador. Most blacks are Catholic. 8 or 9 % (one million) of the national population is black, but only 1-2% of Ecuadorian blacks attend university. As a result, the black community suffers from the disadvantages of lower education."

More video titles can be found on their website video section and you can write to purchase copies. They are all in Spanish and made with and by community building processes. Really great. Don't expect the slick industrial look of the USA nor of the PBS documentaries, but rather a genuine, inviting home grown look and info about important Afro-American issues.

May 30, 2003

Ecuador: Audiovisuales Don Bosco

today I'm spending all my time preparing for an 11-day shoot in Latin America. The crew that will shoot is from Quito, Ecuador, under the management of a talented, very bright layman, Marcelo Mejía..

Marcelo directs the production and training center, Audiovisuales Don Bosco and produces forward-looking documentaries about the Catholic church and indigenous peoples. Like good documentarians, his crew goes into a community and spends time w/them, shoots some, then comes back later. The rough cut is shown to the community before it goes into final editing in order to get their input and nod. If you'd like a list of their Spanish-language productions that cover topics of inculturation and the environment, contact him at the e-mail above.
Adán

May 19, 2003

"Sweet Ambition" -- Chicanos in High School

What a wonderful video this is, with lots of Corazón! "Sweet Ambition" About Chicano teens and the courage and guts it takes to finish high school in west Denver. Latino dropout rate is 70 percent in the US!!!
Video running time is one hour. Last I heard, the production company, Little Voice, is editing a shorter version. See it. Get involved.
Adán

May 15, 2003

Videos by Lourdes Portillo & Brian Springer

I recommend these video resources that were discussed during a seminar April 23, 2003 at the Mexican-American Cultural Center about “ Pastoral Ministry and the Impliications of Media Culture.” The resources are:
“Mujer Extraviada” by Lourdes Portillo. Portillo is one of my very favorite Chicana filmmakers whose work I have admired since the 1970’s.

The second is a video I first saw in 1995. It is absolutely wonderful, taking a look at raw satellite footage of what goes on behind news when they don't know we're watching. Spin is by Brian Springer.

Adan